Tuesday, 13 November 2012

Remakes, Reboots and Sequels - The Reason Why They Hurt So Much

Remakes and Sequels - The Reason Why They Hurt So Much

Look around the internet, for anything. Absolutely anything. A recipe for Yorkshire puddings perhaps. You'll probably go with the first one you find, and maybe you'll check the comments to see how well received it's been. The comments will read something like this:

foodlover56:
Great!

startermaindessert:
OMG I LUV THIS RECIPEEEEEE <3

cookingqueen:
Thank you

cookingwithlightsabers:
These are so good, it almost makes me forget about Jar Jar Binks

maythefourthbewithyou:
ROFL 

endorbbqcompany:
Have you heard Disney have bought Lucasfilm? :( bad times

leavebritneyalone:
LEAVE STAR WARS ALONE!

recipeguru:
Great recipe

recipeguru:
Great recipe

recipeguru:
Great recipe

recipeguru:
They should have left it at the Original Trilogy

picardbeatskirk:
To be fair, Episode III wasn't too bad

cookingwithlightsabers:
*This message has been deleted due to inappropriate content*

maythefourthbewithyou:
*This message has been deleted due to inappropriate content*

originaltrilogyonly
*This message has been deleted due to inappropriate content*

itsatwap:
I will literally hunt you down and paint you with blenderised Weetabix

monmothaisababe:
*This message has been deleted due to inappropriate content*

exhaustportlol:
*This message has been deleted due to inappropriate content*

recipeguru:
Great recipe

Ok, that's a slight exaggeration.

But only very slight.

If there's one thing guaranteed to get the internet going bananas, it's a remake, reboot or unwanted sequel (I know that's three things). An unwanted sequel usually means one coming out many years after the last film, so Live Free or Die Hard (Die Hard 4) coming out in 2007, after Die Hard With A Vengeance (Die Hard 3) in 1995. I avoided mentioning the Star Wars prequels or Indiana Jones and the Kingdom of the Crystal Skull because they're so obvious, the Universe face palms itself each time mankind brings them up. Which I just did, so sorry Universe, it won't happen again.

Remakes take on a few different forms. Sometimes they're American remakes of films/television series, such as The Office, or Quarantine. Sometimes they're 'reboots', such as Casino Royale (James Bond) or Battlestar Galactica. However they come, they never arrive welcomed by the mass majority. I include myself in this, and I think I've finally figured out why they hurt me so much personally. There have been many articles written on this, but I haven't come across any that mention this reason specifically.

What most articles that comment on this will tell you, is people see these remakes or sequels are desecrating a childhood memory. To an extent I'd agree. My memory of the Indiana Jones trilogy (sorry again, Universe) is that of an almost perfect set of films that I first watched in childhood, inspiring me to want to become an archaeologist, to make sure things belong in museums, and to want to fight Nazis. When Kingdom of the Crystal Skull came out, I laughed off fears that it wouldn't live up to the original films, confident that George Lucas and Steven Spielberg would deliver the goods. It took a few hours but when the tears had finally ended following a trip to the cinema, I felt like a part of me had been destroyed. There's an excellent episode of South Park that sums up how a lot of people felt following that film. But really, had my childhood been destroyed? No. Kingdom of the Crystal Skull isn't from my childhood. Those films that I did watch back then will always be part of it, and nothing can change that.

I won't go into detail about my feelings on the Star Wars prequels (are your face and palms stinging sufficiently yet, Universe?) - I've partially done that in a previous article, but suffice to say I don't exactly have warm feelings towards them. Episode III had some movement in the wrong direction, but flushes most of that down the toilet with at least one incredibly big flaw of logic. But again, did they destroy my childhood memories of the Original Trilogy, even though Episode I came out in 1999, when I was 13 and so still in childhood? No, because I WAS still a child, and so I lived through the nightmare as a child. What I'm trying to say here is that if you are a child when something like this happens, it's more of a bad sequel than a stain on your memory. For everyone 18+, you're childhood isn't affected by them.

The outcry also always forgets where a remake, reboot or belated sequel succeeds incredibly well. The James Bond franchise has been invigorated by the rebooting formula beginning with Casino Royale, which arguably it had to do to keep with the times following the 'grittier' style of popular spy series such as the Jason Bourne trilogy. The Battlestar Galactica 're-imagined' (it means reboot) is my all time favourite television series of all time (and sorry anyone who didn't like the finale - Dad, you're just wrong). True, I never saw the original, but surely the fact that I didn't makes it OK - I have my series of Battlestar, fans of the original have theirs. I love the UK version of The Office, and I'll admit that when I heard there was to be a US remake, I moaned and groaned, but I've only heard positive things about it, and I'm happy to accept that it has plenty of fans. I still groan and wonder why the US has to remake everything the UK produces, but it doesn't impact on the UK version, so really all I have to do is ignore it and be proud that the UK version is miles better. No offence to any US readers, but history would suggest I'm likely to be right about this.

So, if all this is true, then why does it hurt so much when something like a new Indiana Jones film comes out and is terrible (seriously, aliens?). Well, it's not because your childhood is getting screwed with.

It's because it becomes canon.

That's right. When a new film gets added to a franchise, no matter how hard you try to ignore it, morally you know it's now part of its history. When you talk about what you think Indy did post-Last Crusade, whether it's visiting Atlantis or living a quiet life playing Bridge with Marcus, you know that at some point he ends up meeting aliens. And that hurts, it really does. Aliens? Seriously? Why not just make Fate of Atlantis? It couldn't be anything but a winner. 

When the original Star Wars trilogy (just keep face palming indefinitely, Universe, it's probably easiest) were the only set of films, you could imagine what the Clone Wars were like, and how Anakin Skywalker became Darth Vader, and remain ignorant about trade negotiations, the origins of C3-PO and stupid, STUPID JAR JAR BINKS. But now, no matter how hard you try to erase it, or determinedly say 'Oh, I just pretend they didn't happen', deep down you know they did. You can ignore the Expanded Universe if any of that annoys you, because it isn't considered canon, but the prequels are. Morally, you have to acknowledge them. That's right, it's a moral issue. My conscience burns if I try to tell myself Jar Jar is just a nightmare that I've dreamed up.

This is also why arguing against a reboot doesn't have merit. The latest Star Trek film deliberately began a new timeline. All of your favourite Star Trek moments are still valid, they just happened in a different timeline. So your childhood is safe.

Of course, sometimes a remake or sequel is so bad it hurts to watch it just because it's bad. The fact it's associated with a franchise you love is a coincidence. Red Dwarf USA, both pilots, was terrible. But it would be terrible if the dialogue was tweaked to be about a Scottish launderette. Nothing could change that. 

So there you have it. I've put a finger on what's really been bothering you about remakes, reboots and sequels. No need to thank me, it's what I'm here for. I'll admit it, that i'm dreading the Starship Troopers remake, because I see it as unnecessary and don't see how it can top the original. But as long as it doesn't become canon, then I don't really have grounds to complain. I just won't see it. Or i'll see it, and then go and watch the original and remind myself how much better it is.

But i'll probably still complain. Even though I should know better.

5 comments:

  1. My issue with the late-sequel/reboot issue is that the film-makers spectacularly miss the point of what made the originals brilliant in the first place. For example, I'm not a fan of the Star Trek reboot. It's not a bad film, but for me it ignores everything about Trek that made it unique. Trek was always the most cerebral of sci-fi franchises, and win awards back in the 60s because it wasn't afraid to push boundaries, such as having a Russian and a black woman on the crew, despite them being the enemy and second-class citizens respectively back when it was made. This is also true of the films; Wrath of Khan isn't lauded because of the fight scenes, it is lauded because it explores Kirk's mid-life crisis, and his struggle when having to finally face the no-win scenario that he has run from his whole life. Compare that to the new film, which forgets to give the villain a motivation for his attempted attack on Earth, and focuses more on flashy special effects and lens flare rather than exploring ideas about humanity. If you are going to strip everything that made a franchise unique when you reboot it, why bother to attach the franchise's name?

    ReplyDelete
  2. I think that the bad guy in the new Trek was always going to take a background to the establishment of how the characters came to join Starfleet etc., so the fact Nero (wasn't he just grumpy in general so he attacked everything Federation?) is a poor villain doesn't detract from the fun of seeing a young Kirk & Spock. Because it's this new timeline though it doesn't make it canon to our old Trek, and therefore it doesn't matter that it's got a different feel for it - in fact, that's why I liked it, because it updated it with a new action-orientated feel but that I see it as a separate entity. I know that if I followed this as the true timeline than a lot of what happened on TNG and forward wouldn't now happen, and I'll be damned if i'm going to let that happen!

    With the sequel, and the establishment of the characters out of the way, they should be able to focus more on developing those characters and the villain. Plus, Benedict Cumberbatch is in it, and that means it can't be anything less than awesome.

    There's also a lot less boundaries to push nowadays! One of Roddenberry's original ideas was to have this sci-fi utopia where everyone got along, which he took through to TNG, but then they abandoned for DS9 which I think is why it's the strongest Trek (I know you know this but Forn doesn't and he'll wonder what we're talking about...). A grittier reboot, which is what it looks like being judging by Kirk and Spock's hissy fit at each other on the bridge, fits more in line with DS9 character styles, which I'm all in favour of.

    Of course, the cynics could argue that you attach the name because it generates hype and therefore more money...

    ReplyDelete
  3. Oh and have another Bertass Point for leaving a comment!

    There's another 5 if you subscribe...

    ReplyDelete
  4. Yeah, but if the new timeline means that it doesn't interact with the old timeline, what's the point? It's the same as my problem with alternate reality stories - writers are far more willing to be daring in an alternate reality, as it doesn't affect the regular reality. But to me it always just makes the show look like it's playing it safe.

    I get what you're saying about DS9, but I disagree about their approach to the utopian ideal. For me the reason it works is that it took the utopian ideal and subverted it rather than abandoned it. DS9 took the standard Trek vision and put it in a different context to see how it fared - so it wouldn't have worked without TOS and TNG already showing that ideal. The line that sums it up best is when Sisko is back on Earth looking for changling infiltrators, and remarks "It's easy to be a saint in paradise". The new film just ignored Roddenbery's ideas, making it a mindless action film. I'm not saying it's a bad film, I just object to Trek not making me think. That's what made me give up on Voyager.

    Also, the title for the sequel is stupid.

    It's not just Trek either. I'm not a big fan of Casino Royale, because without Bond being suave, sophisticated, making bad puns and being equipped with ludicrious gadgets, how do I know it's a Bond film? Daniel Craig plays the role as it is written for him fantastically, but Bond is written as a thug in a tuxedo rather than as an emotionally-cold-but-sophisticated Englishman gentleman. Sean Connery remarked in From Russia With Love that he should have known that Red Grant was evil, because he ordered the wrong wine for a fish course. Daniel Craig doesn't give a damn!

    ReplyDelete
  5. A) Just guessing here, of course, but I think it's entirely possible, indeed probable, that at age 13, you got very cross when older and wiser heads suggested that Episode 1, 2 and 3 were a load of cack. I suspect that you even defended Jar Jar Binks at the time, though no doubt you have erased that from your memory...

    B) Your father was right about Battlestar Galactica. Trust me.

    C) The UK version of The Office would have benefited from a remake -- perhaps it would be funny the second time around....

    D) You're forgetting shows such as Little Britain which was a less funny reworking of the Fast Show, which was a less funny version of Monty Python and TW3.

    That's all...

    ReplyDelete