Revisiting Doctor Who - Series 2, Episode 3 - School Reunion

Revisiting Doctor Who - Series 2, Episode 3 - School Reunion

As Giles Anthony Head and his slicked back head of hair descend a set of stairs in an English school, he questions a girl waiting outside the headmaster's office. One scream, the site of flapping wings later, things don't look good for her. It's looking much better for one class though, as The Doctor strides into the classroom, plonks a briefcase on the table, and greets them warmly...

Cut title sequnce...

As The Doctor teaches Physics to the class, one bright spark (Milo) clearly has a bit of a better grasp of the subject than he should do. Rose, meanwhile, is masquerading as one of the dinnerladies. At lunch they discuss how bizarre the school is, being very well behaved and all, when one girl (Melissa) gets moved up a class. Also, nice chips apparently. Bet that can't be a plotpoint. In the kitchen, a barrel of something is being moved through by the staff. Rose takes a call from Mickey, who tells her that three months ago there was massive UFO activity logged by the army, but Torchwood are locking him out. Just as he starts to talk all flirty to her, one of the dinnerladies knocks the barrel over herself, but when Rose tries to call an ambulance she is put off by another dinnerlady, despite the one with the barrel of goo on her appearing to explode in a sealed off room behind. 

In the class Melissa was moved up to, the children all sit in front of PCs, appearing to try and solve a puzzle of a cube with strange markings covering it - they're all damn quick (about 60 of them), but they've not solved it yet. 

Giles The Headteacher is walking down more steps talking to...is that Sarah Jane? From yester-Who? I do believe it is. Anyway, he tells her how wonderful the school is, particularly the chips, and she agrees how awesome the school has become, even if it's blatant that she's there for something else.

In the staff room, The Doctor discusses with another teacher how half the staff were replaced with others when the Headteacher arrived three months back, when Sarah Jane walks in to be introduced by the Headteacher as a journalist doing a piece on him for The Sunday Times. 

One of the children (obviously a nerdy one, because he wears glasses and refused to eat chips because he isn't allowed), hears a noise in the computer room that Melissa was in, and then finds an alien under a desk, which is a bit of a surprise to him. Especially when it turns into the teacher, who tells him to bugger off, which he promptly does.

At night, Sarah Jane breaks into the same room, just as The Doctor, Rose and Mickey are doing the same in another part of the building. They split up to search for clues, although Mickey needs a bit of extra help. The Doctor hears some alien screeching, as does Sarah Jane, and shadows start flying around, and Rose scoops up some goo when more shadows fly overhead, then Sarah Jane bumps into the TARDIS, and then The Doctor, and then we take a breath. They get a bit sentimental, The Doctor telling her that all the Time Lords died, when they hear Mickey scream. Bumping into Rose and quickly running on for fear of a jealous catfight between old companion and new, they find Mickey, who got scared when some bags of yellow colour vacuum-packed rats fell out of a cupboard. Moving through the school, and bickering as they go, they find a group of alien bats sleeping upside down in a room. Fleeing before they get eaten, Sarah Jane shows them a surprise in the trunk of her car - it's K9! Although he's a bit broken. They're being watched from the sky, however. 

In a restaurant, The Doctor tries to fix K9, as Mickey jokes about The Doctor being like any other bloke, having lots of other women in his life before Rose, whilst on a building roof outside The Headmaster watches, calling all the other bat people to him. Sarah Jane questions The Doctor as to why he never came back for her, and though he explains it was because Gallifrey wouldn't allow a human on the planet when he was called back, you can tell it's a flimsy excuse. As she points out, he could've come back. Luckily, K9 comes back online before she can get too narky. Turns out the goo is 'Krillitane Oil', and the bat people are Krillitanes, an amalgamation of the best phyical bits of the people they have conquered. Imagine bat-Borg, I suppose. As they leave, Rose questions him about whether he'll leave her too, but just as he's explaining that it's damn hard knowing he'll live about 50 times as long as her and have to watch her die, one of the Krillitanes swoops down to attack. Looks like it's just a warning shot though, or else it's a really crap alien.

Back at the school, Rose and Sarah Jane go to the computers to analyse the hardware, Mickey stays outisde to play with K9, whilst The Doctor goes off to have a word with the Headteacher. Though he doesn't learn his plan, the Headteacher does tell him that the next time they meet, The Doctor will join the Krillitane. In the computer room, Rose and Sarah Jane finally seem to be getting on, discussing The Doctor's many faults. The Krillitane, on the otherhand, are about to launch the 'final phase', whatever that is. They order all the children into their classrooms, except the kid with glasses who hangs round the playground. In the staff room, all the 'good' teachers seem to get eaten, which is unfortunate, although topped off with a lovely pun about an 'early lunch'. Let's hope it doesn't happen to the children, all of whom are set to ultra-fast-cube-cracking mode on the computers, whilst the doors all lock, trapping them in. The code appears in the room that The Doctor, Sarah Jane and Rose are in, and he recognises it as the 'Skasis Paradigm', which when cracked gives the user control of the building blocks of time and space. The Headteacher ghosts in to suggest that The Doctor becomes a god by his side, with all the good he could do and civilisations that he could save. He looks briefly tempted, but his companions sway him back. 

Outside, K9 suggests using the car to ram the school doors open. Mickey does so, reuniting with the rest of the group inside, the Krillitane giving chase. Trapped in the school hall, K9 comes to the rescue with his laser, allowing them time to flee. The Doctor speculates that the Krillitane Oil is now toxic to the Krillitane themselves because they have changed their physiology so often, and they go off in search of it to put an end to this all. The children are evacuated, as K9 offers to sacrifice himself by blowing up the barrels of goo from point blank range, and Jesus Christ is this a bizarrely emotional scene considering it's a robot dog. The school explodes, much to the delight of the children, who praise Kenny, the boy with glasses.They're clearly not thinking of the tax payers who will have to fund the re-building of the school, but that's kids for you.

Back at the Tardis, Sarah Jane steps inside for the first time in 30/300 years. Though she's offered the chance to be a companion again, she wants to stay behind to build a proper life, so Mickey asks if he can stay. The Doctor agrees, although Rose looks less than pleased. Outside, they say their goodbyes, and she walks off as the TARDIS disappears, leaving behind a repaired K9, and GOD WHY AM I CRYING AGAIN?

Evil teachers running a school? That's how every child feels at one point, isn't it?

This is a really fun episode of Doctor Who, notable especially for bringing back Sarah Jane Smith, companion of the Third and Fourth Doctors, and robot dog K9. Though she's interacting with an incarnation that she hasn't met before, the acting is very strong all round, and you know she's talking to 'The Doctor', not 'The Tenth Doctor', if that makes sense. Elisabeth Sladen slips back into the role as if she's never been away, and the sadness behind her questioning of why The Doctor left her is the highlight of the episode. It's a wonderful way to bridge the gap between old and new, and though I didn't know who she was the first time I watched this episode, I loved knowing that they were bringing a part of Who-history to the forefront. You can tell how much Sarah Jane is hurting that The Doctor never came back for her, and that he chose to have other companions instead. It throws up something that would be true of any companion - they get a taste of this wonderful life travelling the universe, seeing everything it has to offer, and then they have to live ordinary lives where nothing like that happens. That really would be incredibly difficult, and highlights the difficulties that can arise from travel with The Doctor. This gets further touched on at the end of Series 4, when Davros accuses him of turning his companions into soldiers in his name.

Rose gets worried that he'll just leave her to, and with good reason - though he tells her, 'not to you', she points out that he was as close with Sarah Jane once as he is with her now. His explanation, that humans die and he can't bear to see that happen to someone he loves, is cut off when he can't bring himself to say the last bit, which is great news to Doctor/Rose shippers out there who want their love to happen, and a nightmare to those who hate the idea of romance between The Doctor and a companion.

One of the key qualities of a companion is highlighted again, however, when Sarah Jane talks The Doctor out of his brief consideration of using the Skasis Paradigm to become a god. The human companion is always the one that keeps The Doctor on the straight and narrow - just look at what happens in The Waters of Mars without one to stop him from trying to meddle too much with time.

I bet The Doctor has always dreaded former companions meeting like this - it's brilliant watching Rose and Sarah Jane bitch and bicker at each other, and boy do they get some cutting remarks in there each. Especially when Rose says that The Doctor has never mentioned Sarah Jane. Ouch, that one had to burn.

Anthony Head as the chief-Krillitane is wonderful. He positively drips with evil, and it's such a change from seeing him as Giles in Buffy, playing the good guy. There were hints of what he could do in Buffy, like when he confronts Willow for raising Buffy from the dead, but this is something else. Also, The Doctor's trait of offering one chance and then no mercy appears again, as he threatens the head of the Krillitanes before he discovers their plan. Apparently it's an age thing - when you reach 900, you just can't be arsed with naughty people any more.

The Krillitane themselves have a genuine sense of danger about them - when there are swooping alien bats flying around, you can't help but wonder if something is actually going to get eaten, although you're fairly certain that if it was a main character then The Doctor would find a way to have them regurgitated whole.

Whilst it's entertaining, has excellent performances all round, and has a good enemy, there isn't anything that pushes it to the highest realms of Who-excellence. That's not to say it isn't memorable, because Sarah Jane and K9s appearances can't fail to be memorable, but it's very much a case of 'that was great fun, let's move on to the next episode', rather than 'OMG I HAVE TO RUN AROUND SCREAMING ABOUT HOW AWESOME THIS WAS'.

There's more of Who's trademark humour, as The Doctor and one of the teacher's discuss how strange it is that the person The Doctor replaced won the lottery, despite never playing, with a ticket posted through the door at midnight. David Tennant's nonchalant reaction is brilliant, perfectly reminding me why he's so amazingly awesome in the role. What also made me laugh was The Doctor stumbling over calling himself, Rose and Mickey either 'team', 'gang' or 'comrades'. It's a good point - what do we call them? I usually call them either all by their names or 'the group', I think. 'Scooby Gang' is taken by Buffy, after all.

Poor Mickey, yet again - just as he and Rose seem to be getting back to flirty ways, and he starts to open up to her, some silly dinnerlady drops a barrel of goo over herself and Rose has to go investigate. Furthermore, he realises that, just like K9, he's the tin dog of the group. Though he gets full companion status at the end of the episode, Rose clearly doesn't want him around. Just can't win, can he?

Torchwood Mentions
Mickey tries to hack into an army database to discover more about a UFO crash three months previously, but is locked out by a flashing message baring the name 'Torchwood'.

Overall
A fun episode featuring the return of former companion Sarah Jane Smith and robot dog K9, with strong performances from all the main characters. It's not exceptional, but it's damn good.

8/10

Revisiting Doctor Who - Series 2 Episode 2 - Tooth and Claw

Revisiting Doctor Who - Series 2 Episode 2 - Tooth and Claw

Scotland. The 19th Century. A bunch of strange fighting monks demand a man's house and kick all the residents' asses when he refuses, using serious ass kicking and kick ass fighting skills. Locking all of them in the basement, the monks leave something that he must beg God's forgiveness for in there with them. Based on the growl and their screams, it can't be anything good...

Cue title sequence.

Aiming for Sheffield in 1979 to see Ian Drury and The Blockheads live, Rose and The Doctor accidentally end up in Scotland, 1879, stepping out into the middle of the royal guard who are escorting Queen Victoria. It gives The Doctor the chance to show off his Scottish accent, although Rose not so much. Passing themselves off as a doctor and his assistant from Balamory, they receive an audience with the Queen herself, who reads from the psychic paper that they have been appointed her royal protectors. Well, The Doctor has. Rose is just his wingman I suppose. The Queen is travelling an unusual route due to a tree on the train line, most likely an assassination attempt in the air. She is making her way to the house of the unfortunate bloke from the pre-credit sequence, tales of wolves in the area abound.

When they reach the house, there's a scared looking Sir Robert at the window who is being threatened by the head monk fella. Although he tries to dissuade the Queen from staying due to the lack of staff (all currently locked up in the basement), she ignores him, looking forward to her stay on the 'Torchwood Estate'. We just have time to learn of a mysterious box being brought into the house after her, before we glimpse the mysterious beast in the cage in the basement, which appears to be a man with bad teeth hidden in a dressing gown, who is fond of telling everyone to shush. 

In the house, Queen Victoria is shown Sir Robert's father's enormous telescope (nope, it's a real telescope, stop that right now). The Doctor is a tad rude with his description of its faults, still getting to grips with his new personality and all, but the Queen doesn't seem to mind, being fascinated with astronomy and the opportunity that the telescope could offer. When the story of the local wolf crops up though, the strange monk man quickly interrupts to dismiss it. Not that the Queen wants to let it drop, demanding more talk of it once Rose has got some more clothes on and they've eaten.

As Rose tries some clothes on and finds a maid hiding in her cupboard, the guards are given drinks by the monks which immediately sedate them. The maid explains to Rose what happened with the monks, who promises that The Doctor will help, although when they find the guards unconscious on the floor, several monks sneak up on them and kidnap them both. Meanwhile, The Doctor, Queen Victoria, Sir Robert and the arse-licking chief guard share dinner, where The Queen demands that wolf story. Sir Robert looks increasingly uncomfortable under the watchful gaze of the monk man as Queen Victoria continues to pester him. He mentions how a boy goes missing once in a generation, and that the creature is a werewolf. Mr monk man starts to get twitchy as Sir Robert reveals that his father thought the legend was true and that the monks of a local monastery must have turned from God to worshipping the wolf. The Doctor notices the monk man chanting and starts putting two and two together.

Rose and the maid, meanwhile, are now locked in with the other prisoners in the basement. Rose Rose tries to talk to the creature, who seems to have taken over the body of one of the aforementioned boys who was kidnapped. The creature itself isn’t from this planet, and Rose offers to help, but he’s pretty happy being a strange creature and wants to transfer to Queen Victoria and turn Earth into the Planet of the Wolf. Well at least he has ambition. A lot of young people nowadays are just lazy. As the monk is making his move above, the door to the basement opens and moonlight floods in, starting to change the creature into a werewolf. The Doctor arrives in the nick of time to see the werewolf escape, loving ever minute of it, being admonished by Rose for taking his time, before they all escape. Upstairs, the monk man informs the Queen that they want the throne, so she shoots him. 

 As the newly escaped residents of the castle prepare to fight the monster, The Doctor discovers him down a corridor. They fend him off with plenty of gunshots initially, but then he steals a cocky person by hiding in the ceiling, and everything goes a bit downhill, though the innocent maids are left alone for now.

The Doctor, Rose and Sir Robert find the Queen, and they begin to search for a way out, but the monks outside shoot at them to force them to stay inside with the werewolf. They run around for a bit, fleeing the creature, and letting the captain of the guard sacrifice himself as they barricade themselves in a large room. It stalks around the outside for a bit, looking for a way in, causing The Doctor to question why it can't enter. Sir Robert admits his guilty conscience that it's all his fault, and then Queen Victoria lets off some steam about the whole saga, especially the fact that The Doctor isn't talking in a Scottish accent any more. The maids in the kitchen and The Doctor realise at the same time that the mistletoe is what stops the wolf coming in, the maids because the monks outside are wearing it and there's mistletoe in the kitchen, and The Doctor because there are carvings of it on the doors. The maids brew up a mistletoe...brew, and The Doctor and friends use the library (yep, the room they are in is a library, which is my sort of room) to try and look up anything useful that might have been left by Sir Robert's father. They find an etching that tells of how a meteor arrived to Earth 300 years ago. Perhaps regrowing itself from a single cell over all that time, it used human hosts to heal. ‘The Empire of the Wolf’ would accelerate Victorian England into the space age, and because steam punk never actually happened, they need to stop it. Queen Victoria reveals she has the most precious diamond in the world, which surely won’t come back as a plot device in the next few minutes. Remembering that the diamond was always ‘unfinished’, as Prince Albert was never happy with it and needed it continually recut, The Doctor starts to hop around as if he’s just sniffed a line when he realises that perhaps the house contains a trap for the wolf. Hang on, wasn’t the telescope also unfinished?

Very rudely, the wolf interrupts them by dropping through the sky light, nearly catching Rose, but luckily the maids get there just in time to throw the mistletoe soup over it and sending it running temporarily. The Doctor, Rose, Queen Vic and Sir Robert run to a room and – oh look! The telescope room! Sir Robert leaves the room to sacrifice himself valiantly, while The Doctor and Rose move the telescope into position. Actually, The Doctor tells Rose it’s more of a ‘light chamber’. So a big ray gun then. It charges up using the power of the moon just as the wolf breaks in and tries to get to the Queen, but luckily The Doctor throws the diamond at the ray beam on the floor and it reflects into the wolf, revealing the victim beneath who begs to be ‘let go’, which The Doctor does by turning up the beam.

There’s a bit of ambiguity as the Queen looks very dodgy when insisting she hasn’t been bitten, just attacked by a splinter from the door breaking, before naming The Doctor ‘Sir Doctor of TARDIS’, and Rose ‘Dame Rose of the Powell Estate’. There’s a tiny bit of vomit we have to choke back as The Doctor tells the Queen that her husband is watching out for her from beyond the grave, before she banishes the pair of them from the British Empire for being strange alien people who think all this terrible life to be good fun.

Making their way back to the TARDIS, The Doctor speculates that maybe it was a werewolf bite the Queen got after all, and that explains the ‘Royal Disease’ she was known to have, as were her children, which would make the whole Royal family werewolves, of course. Well, in a hundred years’ time perhaps.

The Queen and Sir Robert’s widow discuss the events, and the Queen declares that she shall found a special institute, The ‘Torchwood Institute’ (after the house this has all taken part in), to combat alien threats. Torchwood will be waiting, Doctor…

I have mixed feelings about this episode. On the one hand, David Tennant has slipped seamlessly into the roll a couple of episodes in, and Billie Piper is perfect once again. It’s got funny moments, such as Rose’s Scottish accent (which has to be a highlight of the entire series) and the continual ‘We are not amused’ bet, and in terms of tension it’s well done as we know any of the people in the house (barring The Doctor, Rose and Queen Victoria of course) can die. However, it’s just not got anything to make it stand out particularly. 

I’ve never been the biggest of werewolf fans, although this is a very good example with a different explanation than the norm, and this doesn’t do anything to make me want to watch it again at any point, so it would have to go onto the ‘skip’ pile sadly.

It does have a very important role in bringing the idea of the Torchwood Institute to light, even giving the idea of it being something to protect the British Empire from The Doctor if need be. It’s always nice to see these little ideas again when you watch something back knowing what will happen in future episodes and series. There’s a great harkback to the Bad Wolf as well, as the creature tells Rose that she has ‘something of the wolf about you’.

The Doctor is obviously still getting to grips with his new personality a bit, hence his rudeness when describing the telescopes faults, and I like the fact that it obviously takes him a little while to settle into who he is - he knows how one should courteously act, so it's not surprising that he needs to take a little time to work through his personality changes after a regeneration. The Ninth Doctor loved everything weird and wonderful, but we see the Tenth call the werewolf 'beautiful' with a smile, which to me is one of his trademarks. He always seems to find beauty in the terror that everyone else is feeling!

'Well, they were bald, athletic, your wife's away...I just though you were happy.' Wonderful innuendo suggesting that maybe Sir Robert is more of a 'man's man'.

'You wanted weapons? We're in a library. Best weapons in the world!' As I work in a library, I have to say this is one of my favourite quotes ever.

The initial reveal of the wolf in human form is good, as the sharp teeth etc. make it seem very sinister. The idea that Prince Albert continued to have the diamond cut to make it correct for saving the Queen is a bit ropey though, depending on how far into it you look – if the Queen has continued to cut it since his death, it must be bloody good luck for it to be exactly right this particularly year, as surely they couldn’t know these events would take place this exact year. Also, if the wolf had stepped 2 paces to the right, it would have avoided the light beam entirely. Still, usually best not to look into these things too deeply. Doctor Who fans are known for their lack of probing into hidden meanings within every aspect of the Whoniverse, after all.

Torchwood Mentions

Queen Victoria proposes to found the ‘Torchwood Institute’ to protect the British Empire against alien threats. The house in the episode is ‘Torchwood House’, and it has all taken place on the ‘Torchwood Estate’.

Overall

Some very funny moments a decent amount of tension, but there’s nothing to elevate it beyond a ‘monster of the week’ feel. If you had to avoid watching an episode this season, this would be a strong candidate.

6/10

Final Predictions for the Doctor Who 50th Anniversary Special

Final Predictions for the Doctor Who 50th Anniversary Special

It's nearly time. It is so, so nearly time. On Saturday 23rd November 2013, we will witness the 50th Anniversary Special of Doctor Who, and the last few feverish months of anticipation that we've experience since we first saw John Hurt appear at the end of Series 7 in The Name of the Doctor will all come to a head. There's been endless speculation, and I'd like to cast my final predictions for what OMG moments we're going to see.

The internet has already predicted two major points of the special correctly:

1. The Eighth Doctor regenerating into John Hurt's Doctor, and
2. The Time War

So, here's four more, based on nothing more than desire and guesswork (in particular the last one):

1. We will see John Hurt regenerate into Christopher Eccleston's Ninth Doctor. I'm cheating ever so slightly when I stipulate that this might happen in the other minisode, The Last Day, which we currently no absolutely nothing about except that it'll be roughly the same length as The Night of the Doctor, and that it'll presumably be broadcast at some point soon, perhaps after the special has taken place. *The Last Day has of course now been shown, and we didn't see the regeneration into Eccleston.* Whether it happens here or in the main programme, I refuse to believe that we aren't going to see the regeneration into Eccleston at some point. Even before McGann appeared in The Night of the Doctor, I refused to believe that this wouldn't happen, and I'm even more confident now. It's literally the only thing that I can imagine will leave me slightly disappointed if it doesn't occur. I can't believe that Eccleston couldn't negotiate the 30-seconds or so it would take for him to have regenerated in the Henrik's department store that he first meets Rose in, quickly look around for a new outfit to replace his battle damaged one, and then hear Rose scream and head off to rescue her. Simple.
2. The new direction that the show is going in occurs because the Time War is no longer time-locked, and the Time Lords are brought back. I literally can't imagine any other way that it could head in a new direction apartment from that, unless it turns out that The Doctor really doesn't have any lives left (due to the War Doctor regeneration, and the meta-crisis Doctor also counting as one), and that Peter Capaldi is actually a different Time Lord - or that what ever Wibbly-Wobbly-Timey-Wimey thing that happens means that time is reset to the point where John Hurt time-locked the Time War, and the three Doctors after him no longer exist. But I can't see that happening, as it would be a step too far in my opinion to utterly erase the Ninth, Tenth and Eleventh Doctors from history. So that leaves the Time Lords returning. True, it wouldn't be a new direction in terms of how the classic-era Who used to be, but it would be for new-Who. There's absolutely no evidence in any of the promo-material for this happening, but what the hell - there's only a few days left, so why not let wild speculation run rampant?
3. Finally, because this is the Time War we're talking about, I'm going to say that we'll see The Master in there at some point. Firstly, because we now he was resurrected during it, and if The Doctor is going to be one of the great warriors of the Time War then surely he would fight alongside The Master, even if he ran away to hide when The Cruciform fell and Gallifrey burned. Surely these are the sort of scenes we'll see in the Time War, especially as that's the sort of catalyst that would make The Doctor think the end was nigh and he had no choice but to use The Moment to end the war. Secondly, because if the Daleks are going to be in special as The Doctor's greatest enemies, surely The Master should make a brief cameo. Yes, we've been told that this is all about looking forward, not back and yada yada yada, but don't you want to see Derek Jacobi as The Master just for a brief while longer? He was so deliciously evil for the brief minutes before he regenerated into John Simm, it's like imagining what Paul McGann would be like with more screen time (and now we know!). In fact, the only disappointment I would feel there is that it wouldn't be John Simm in the role, as he's one of my highlights of new-Who. 
4. Almost without question now, I'm expecting all the surviving former-Doctors to make brief appearances. I can imagine it working if The Doctor's time stream is split somehow, and they only need a brief minute or so each to complete some essential task. Or perhaps The Doctor himself is split into his previous incarnations in the TARDIS console room, just for 30 seconds or so until they can get themselves under control. Or perhaps as the Time War is unlocked, The Doctor flashes between his previous selves momentarily, each of them just as surprised as each other. Perhaps they can blame some corruption in time for the fact that they all look older (and a little larger-waisted in some cases...). I can't remember what the reason they gave for Peter Davison looking older in the Time Crash special, but they could easily use that again. Whatever happens, there is clearly plenty of opportunity for this to happen in some form or other. I'm not about to get into a massive argument about whether not having them does a disservice to the fans, because I trust 100% that Steven Moffat is the best person to deliver this episode and will ultimately do what is right for Doctor Who, and also because I'm really a new-Who fan that appreciates classic-Who more than wants to watch all the episodes, so the most important previous Doctor to have now we've had Paul McGann is the Ninth. But it'd be a hell of a talking point if they all appeared.

So, a couple of obvious predictions, and a couple perhaps a little more outlandish. It's not long to go now. I'll be in the cinema at 19:50 on Saturday 23rd November 2013, fumbling with my sonic screwdriver in my pocket in a heightened state of excitement, and I bet I'll be surrounded by plenty of Whovians doing the same thing. One things for certain - we're all going to experience an incredible climax. 

Some Thoughts on the Doctor Who minisode 'The Night of the Doctor'

I’m sitting here at work having just watched the minisode ‘The Night of the Doctor’, trying to stop shaking and squealing. I work in a library, and as I’m supposed to be in charge of a relatively quiet environment, I suppose I should really be practicing what I preach. But honestly, what I’ve just witnessed are 7 of the greatest minutes of my geek life.

If you haven’t already watched it, make sure you do, because there are MASSIVE spoilers coming. And I mean MASSIVE. I’ll give you another warning after the clip.

I’ll give you a minute to stop squealing.

…

…

…

Right, that’s enough time.

*SPOILERS*

*SPOILERS*

*SPOILERS*

*SPOILERS*

What you’ve just seen is Paul McGann’s Eighth Doctor, in the middle of the Time War, regenerating into John Hurt’s ‘War Doctor’.

I’ll repeat that.

What you’ve just seen is Paul McGann’s Eighth Doctor, in the middle of the Time War, regenerating into John Hurt’s ‘War Doctor’.

THE EIGHTH DOCTOR.

REGENERATING.

IN THE MIDDLE OF THE TIME WAR.

INTO JOHN HURT’S ‘WAR DOCTOR’.

OMG I’M HAVING A NERDGASM.

I just need to address these points.

The Eighth Doctor

Yes, despite all the denials, Paul McGann’s Eighth Doctor has finally had some more screen time. We’ve seen just what he can do with the role, and even in those few minutes he’s shown just what a shame it is that he never got the chance to do it more often. I’ve not ever gotten round to listening to any of the audio adventures, but I know the praise he gets for his performances there, and it’s wonderful to see just a small glimpse on screen.

I saw the note about the minisode that said either Matt Smith, David Tennant or John Hurt would appear, and I also saw a rumour that Paul McGann had been filming for the minisode months ago, but I honestly never expected it to be him at the beginning. I’m sat at one of the computers during my lunch break and I startled my colleagues good and proper when I let out a squeal of glee.

Regenerating

I’d just gotten over the initial excitement of seeing the Eighth Doctor when I began to wonder whether I might be just about to witness his regeneration, especially as his costume appeared to be the same as that which John Hurt has been wearing in all the publicity material for the 50^th Anniversary episode. Low and behold…the Eighth Doctor finally gets his regeneration! This has to be one of the most eagerly anticipated events surrounding the 50^th Anniversary, one which practically all Whovians wanted to see, and now we have it. It also confirms that John Hurt’s Doctor comes between McGann and Eccleston’s, although if we’re speculating even further there isn’t any confirmation that Hurt will actually regenerate into Eccleston. But that would cause my head to explode from too much thinking, so let’s abandon that idea for now and just bask in the glory that goes with knowing that at least two of our major hopes came true – we’ve seen the Eight Doctor regenerate, and we know that John Hurt is definitely a missing link.

In The Middle Of The Time War

Yes, yes, yes – thank the gods, we really do appear to be seeing the Time War in the 50^th Anniversary special. We know that this all took place in the middle of it, although The Doctor appears to not be taking part at the beginning of it, but by the end we know that he’s going to immerse himself fully in it. I don’t think there’s anyone out there who didn’t ever believe that it wouldn’t play a major role, especially after the trailers, but it’s great that it’s all but been confirmed now.

Into John Hurt’s ‘War Doctor’

So, that’s who John Hurt is. ‘The War Doctor’, who chose to regenerate specifically into a warrior with the help of the Sisterhood of Karn and their elixir of life. And once he had regenerated, he uttered the chilling words, ‘Doctor no more’. We’re going to presume that he shall regenerate into Christopher Eccleston, because could we really handle another twist where he doesn’t? One thing’s for certain – this is a Doctor built specifically to fight the Time War, and he isn’t going to take any prisioners. At the very end, all we see is his relfection, and it’s clearly a younger version of John Hurt, so we can also assume that he fights in the Time War for a very long time. After all, Matt Smith roamed around for 200 years as he claimed at the start of Series 6 and didn’t age a day, so just how long must the Time War have lasted for the War Doctor to age so visibly?

OMG I’m Having A Nerdgasm

If you ever wanted a lesson on how to pretty much explode the heads of every geek on the internet in 7 minutes, then you’ve just witnessed it. There are some wonderful things to come out of this, mainly the hope that, now we’ve seen Paul McGann despite rigorous denials, the likelihood that we’ll see more past Doctors has just gotten ever larger. Personally, I only need to see five seconds of Christopher Eccleston to make me happy (SURELY?! I REFUSE to believe he won’t be in it!), but I’d love to see all of the rest in some way or another.

Also, did you notice the line about how the elixir can bring The Doctor back however he wants, including man or woman? Nicely set up for the future there, Mr Moffat!

Oh, and also the wink to the audience as Paul McGann’s first line is ‘I’m a doctor, but probably not the one you were expecting?’, as we were all surely expecting John Hurt.

Oh, and how he says ‘Will it hurt?’ before the regeneration, alluding to the fact that he’s about to become John Hurt?

Oh, and how the elixir is the 'Flame of Eternal Life'? Does that mean those he drink it get eternal life? I.e. unlimited regenerations?

Oh, and how you really have to go and watch it again and again?

Roll on November 23^rd. I can’t bloody wait!

Revisiting Doctor Who – Series 2, Episode 1 – New Earth

Revisiting Doctor Who – Series 2, Episode 1 – New Earth

The Doctor paces around the TARDIS, pressing buttons and pulling levers. Rose bids Jackie and Mickey goodbye, ready to leave on another adventure, further than they’ve ever been before…

Cue title sequence…

They arrive in the year 5,000,000,023 in the galaxy M-87, at New Earth. Cars are flying around, and the landscape is frankly bloody amazing – I wish we had a futuristic landscape like this nowadays, and ‘apple grass’ that smelt amazing, rather than of cow poo. They link arms, look into each other’s arms, and tell each other how much they love travelling together, and once we’ve wiped up the vomit that’s just come out at them being so lovey-dovey, we move on. They’re being watched however by someone and their toy spider robot, and they seem excited that Rose is ‘pure-blood’. 

The Doctor explains that New Earth was founded after the original Earth was destroyed in The End of the World in Series 1. They’re in the city of New New York (technically the 15^th of the name). Being observed again, we hear someone who sounds awfully like Casandra from the same episode...It IS Cassandra! I thought she’d popped?  Anyway, The Doctor had a message on his psychic paper asking him to come to ‘Ward 26’, so they’re off to the local hospital. It appears to be full of cat people doctors, which understandably shocks Rose, but The Doctor tells her not to stare, as her own human-pink and yellow person will probably look strange to them. He gets into a lift to Ward 26, but Rose is too late and has to get into the adjoining one – the strange guy helping Cassandra has control though, so The Doctor heads up, whilst she heads down. The disinfection process that The Doctor tries to warn Rose about takes her a bit by surprise though, blasting water at her, before drying her off. I HATE being wet. That would be HELL for me.

Rose arrives in the basement, only to bump into the creepy guy helping Cassandra, who says in his best creepy voice, ‘The human child is clean’. He tells her to follow him, so she picks up a metal weapon before doing so, which is a good move I’d expect.

The Doctor makes it to Ward 26, lamenting the lack of a shop, but smiling when he realises that it was the Face of Boe who called for him. Although he’s dying of old age, so there’s no cure. Apparently he’s thousands, or even millions of years old.

Rose enters a room where an old film is playing of a party with a lady who Rose recognises as a younger Cassandra, who it turns out is just behind her, with her helper Gollum Chip. She still needs moisturising.

At this point, I'd like to moan about how I'd spent another hour and a half writing up the majority of the rest of this review, only for what I'd typed not to save and I lost the entire bloody lot. However, I've noticed that my reviews seem to be getting longer and longer, and surely can't be much fun for anyone to read, and if you're anything like me it's probably the comments below the recap of the storyline that you're actually interested in, so from now on I'm going to try and shorten the recap down considerable. With that in mind, here's the rest of the recap, in very short form as I still can't find the energy to do it in detail:

Cassandra puts her mind into Rose's body, which comes across as bizarrely erotic due to Billie Piper's posh accent (or is that just me?). The doctor suspects something but doesn't realise that it's Cassandra. When they investigate the strange fact that illnesses that shouldn't be curable yet are being cured, they go in search of the reason, heading into a secret part of the hospital, where the secret is revealed - there are thousands upon thousands of human bodies kept in pods, grown specifically to be infected with every single disease, so that they can come up with the cure quickly. When The Doctor confronts some of the cat doctors, they claim that they are doing it for good, but The Doctor orders them all to be shut down, and also wants to know what they've done with Rose. Cassandra reveals herself at this point, knocking out The Doctor and placing him in a pod, but when the cat people threaten her she releases all the patients. Bye bye all cat doctors in the vicinity.

And that's where I got up to, so back on with the show.

The Doctor and Rose/Cassandra flee, and Cassandra decides that this would be a great time to try being The Doctor, freeing Rose and taking over his consciousness, in what must be one the greatest camp performances in science-fiction history. They flee up an escape shaft, as the plague victims flood the hospital. Swapping back and forth between Rose and The Doctor, she eventually has to get inside a plague victim to aid the escape, getting a hint of how lonely they are. When they finally make it back into the main hospital, it looks like the 'healthy' patients are going to try to break quarantine, so The Doctor and Rose/Cassandra flee down the lift shaft with a load of medicine bags. At the bottom they make a medicine cocktail, and then start the lift disinfection process using it, soaking them all with the antidote to their ills, which spreads amongst them, curing everyone. The Doctor's pretty excited that he got to play at being a doctor. I just can't help but wonder why he didn't change into dry clothes immediately.

Before they leave New Earth, The Face of Boe promises to meet The Doctor one last time and tell his secret then. There's also the matter of Cassandra being in Rose's body still. Cassandra leaves Rose to be in Chip's body, but as he only has a half-life, his body begins to fail. Cassandra/Chip refuses any extra medical aid, saying it's time that she died, and as one last act of kindness The Doctor taken her/him back to a party that she attended in her younger days, when she wasn't a sheet of skin. Cassandra tells her younger self how beautiful she looks, before dying. The Doctor and Rose leave in silence.

Series 2 is up and running, and it's an interesting start. Visiting New Earth far in the future is exciting, as is seeing all the aliens in the hospital. The main theme of the story, breeding humans to have supposedly never learned to feel anything so that others can be cured is one of those that can inspire great debate (think of the argument of whether animals should be tested on to develop cures for humans and it's basically the same thing), as you can understand where the cat doctors are coming from, although it's clear really that they're wrong. It's this, along with the chemistry between Tennant and Piper that is already developing marvellously, that make up the episode's strongest points. 

The ending is a bit of a let down, to be honest. Cassandra goes from complaining and whining whilst in Rose's body, to sudden acceptance in Chip's, and it's a bit too abrupt a chance to be believable. Still, they had to end the episode somehow I suppose, but I've seen much stronger finishes. It's still a good episode, with excellent humour in places, but I'm not desperate to see it again soon.

In terms of the characters, when Rose links arms with The Doctor after their arrival on New Earth, and tells him how much she loves travelling with him, it’s pretty obvious again what her heart is really saying. His reply that he does too, whilst less than obvious than Rose’s declaration, marks the start of the real path down their romantic link, which will culminate in the finale, Doomsday. Well, it’ll truly reach a conclusion in the Series 4 finale, Journey’s End, but that’s the meta-Doctor, so doesn’t count here. It’s a controversial move for many fans, having The Doctor and companion fall in love, but it’s only with hindsight that we really recognise it on his part at this point. Cassandra in The Doctor's body spells it out at one point, as she comments on how she knows that Rose thinks The Doctor is foxy.

The episode has some hilarious moments, as we've come to expect at this point. Having lost half of my review, I can't pinpoint all the classic moments, but there are plenty. What I can remember are little snippets, such as Cassandra (in The Doctor's body) declaring that 'no matter how difficult the situation, there is no need to shout! whilst they are being chased by the plague victims, or her horror as she realises 'I'm a chav!' when she first goes into Rose. It's classic modern Who humour, and it's carried on perfectly from Series 1. Both Piper and Tennant as Cassandra are wonderful. Whilst Piper plays her as being very seductive (seriously, there's something incredibly sexy about it all), Tennant goes for the giddy excitable side, which is a wonder to behold. 

This is such a small thing, but it’s one bit that I’ve always loved about the Tenth Doctor – when The Doctor first gets into the hospital lift without Rose, he shouts down to her a few times to watch out for the disinfectant, which she mishears each time, so he just says ‘Oh, you’ll find out…’ to himself. Whenever I think of Tennant’s portrayal, a large part of it is taking up by him talking to himself like this, so it’s great to see it back so early on. Wasn’t that a lovely little point to talk about? I think so.

In another small aside, Mickey gets a kiss goodbye (on the lips!) for a change, but still no return to his ‘I love you’ from Rose – poor lad.

David Tennant has already slipped into the role brilliantly, displaying lots of the characteristics that make him one of the most popular Doctors of all time. No matter how great Ecclestone was, he's already forgotten now.

Hats off to Billie Piper once more - her performance as Cassandra is excellent fun, and she shows her acting chops well when Cassandra has just returned to her following being in a plague victim's head - the despair she feels is obvious.

How Does It Fit Into The Series As A Whole

The Face of Boe says that The Doctor will meet him one final time, and reveal his great secret. This will happen in Series 3 - ill resist posting a spoiler.

Overall

It's not the greatest episode, but there's a strong moral conundrum to debate, and Tennant and Piper are playing off each other wonderfully, with great performances as Cassandra in turn.

7/10

Doctor Who - Celebrating Christopher Eccleston As The Ninth Doctor

Doctor Who – Celebrating Christopher Eccleston As The Ninth Doctor

I’ve just finished watching Series 1 of the modern Doctor Who – you can see all the episode reviews elsewhere on my blog, or you can read the series overview for a general review of it. As you’re no doubt aware, this was Christopher Eccleston's sole series as The Doctor, so it’s time to pay tribute to his work.

With David Tennant following him, and Matt Smith being the most recent Doctor (before Peter Capaldi takes over), Christopher Eccleston tends to get forgotten a bit. In a way it's understandable - he was the first to play The Doctor in modern Who, he was only in it for one season, and Tennant and Smith are more alike than either is with Eccleston. It's completely unfair to him though, because there are so many strengths that he brought to the role:

His strengths as an actor
First off, Christopher Eccleston is an absolutely fantastic actor. If you've seen him in anything else you'll know this, and there were moments in Series 1 that were some of the best acted in the whole of Who history. The two moments in particular that come to mind are firstly when The Doctor is shouting at the Dalek in Dalek, and is taken aback when he is told 'You would make a good Dalek'. You can see on his face just how badly he is struck by this, and it's from this point on that he slowly starts to try to forgive himself for what happened in the Time War. Secondly, there's the part of the finale when the Daleks taunt him about having to destroy Earth to stop them, and he tells them that he can't and chooses to be a coward, unable to do again what he did once before with the genocide of both the Daleks and his own people. These two moments are two of the highlights of the series, and the emotion running throughout helps to show why this programme is so special.

Fantastic!
Whilst the Ninth Doctor doesn't have the same manic energy as the Tenth or Eleventh, there's still plenty of excitement in him. Whenever you see his manic grin from ear to ear, like a school boy in a sweet shop, you smile along with him, no matter what he's getting excited about.

He's Northern
I'm not highlighting this just because I'm Northern too - it's because there's something just so wonderful about his Northern accent and mannerisms make him so different than all the other Doctors, past and present. There's the grumpy side and the sarcastic side in particular that make me laugh every time, perfectly reminiscent or plenty of people I know, and not what you expect in a science-fiction show.

His chemistry with Billie Piper, Camille Coduri and Noel Clarke
Aside from the Dalek moments mentioned above, one of the main highlights for me was the relationship that The Doctor shared with Rose, Jackie and Mickey. He and Rose worked so well together, him the veteran of the stars and her the wide-eyed newbie, but in many ways his relationships with Jackie and Mickey were even better, just because they were so damned funny. I still laugh thinking about Jackie meeting him in the pilot, talking about how there's a strange man in her bedroom, and his reaction to it. It really is comedy gold.

Without him, there'd be no Tennant or Smith
Well, David Tennant was the strong rumour to play the role before Eccleston llanded it so maybe that's a little untrue, but certainly I can't imagine Matt Smith getting the role of the Ninth Doctor. The fact that Eccleston's Doctor is that bit more subdued was essential for re-introducing the character to modern audiences. Can you imagine Matt Smith as the first Doctor following the show being off the air for 16 years? I absolutely love Smith's performance, but I just don't think anyone quite that manic and eccentric would have worked first time - it feels like a natural progression for The Doctor to get a little more manic each time he regenerates at the moment, and the fact that we expect Peter Capaldi to be a more serious Doctor and therefore breaking this mould is fine because of the dark theme that we expect the 50th Anniversary Special to have. A Doctor coming straight out of the horrors of the Time War had to be that bit darker like Eccleston, and I think Tennant is much better having that ever so slight removal by starting in Series 2.

The Final Word
Christopher Eccleston was a different Doctor to Tennant and Smith, but for all the right reasons - he introduced us to a Doctor who has just committed double genocide and is at odds with himself, and he allowed this pain to ease in time for Tennant to take over. He was equal parts grumpy and excited, and provided us with some of the best-acted moments in Who history. He's a remarkable actor, and though it's undoubtedly a shame that we didn't get to see more of him than just a single series, perhaps we can look back at his impact on the series now and appreciate it all the more for this reason.

Today, I Discovered...The Agonist

Today I Discovered...The Agonist

Ah, the 'new, regular feature'. If you've ever tried to have a regular feature of your blog, you probably know that all of a sudden you feel desperately under pressure to produce the goods...well, regularly. There were a few things I wanted to do regularly when I started this blog, 'Classic Covers' being one of theme, where I would pick the best music covers from YouTube to blog about, but a many months on and I've still only done the one so far. So, it's with a certain amount of uncertainty that I've decided to create an ad hoc feature called 'Today I Discovered...'. The idea is that anything knew I find that I love, I'll blog about, in the hope of getting my three subscribed members (at the very least) looking it up.

So, what's first?

Congratulations, Canadian Metal band The Agonist, you're the first entry!

Who?

The Agonist are a Canadian metal band who consist of Alissa White-Gluz (vocals), Danny Marino (guitar), Pascal 'Paco' Jobin (guitar), Chris Kells (bass, backing vocals) and Simon McKay (drums, percussion). Thanks for that Wikipedia. They've got, in my mind, a mix of Melodic Death Metal and Metalcore, so imagine Arch Enemy mixed with early Trivium, in no small part due to the fact that Alissa White-Gluz is the best female vocalist at growling that I've heard since Angela Gossow. As a bonus, she also has a fantastic clean vocal too.

I came across the video for Thank You Pain today (fine, last week, but I'm not about to destroy the integrity of this regular feature's title already), and it blew me away for several reasons:

1. Alissa White-Gluz's vocals, both growled and clean, immediately make you sit up and think hell is being unleashed. whilst mantaining some wonderful melodies
2. The guitars are wonderfully heavy and melodic
3. The subject matter of an accused criminal being interrogated by the prosecution in court is played wonderfully by the harsh vocals of the prosecution vs the clean vocals of the defence.

Take a look and have a listen:

I don't know about you, but I bloody love that track.

Of course, one song a great band does not make - I've checked out many other songs, and there are some fabulously melodic tunes from this band. I love a band that can sound heavy as hell, yet still bring the same emotive quality of a haunting piano piece to the table.

So, What Are You Telling Me To Do?

Listen to Thank You Pain, then go out and buy any of their (as of today) three albums. Play then loud, play them again, play them a third time, and remind yourself just how powerful the same of the female growl is, particularly when backed up by a band who can create brilliantly heavy yet wonderfully melodic at the same time.